https://www.collectivefuturesfund.org/news daily 0.75 2025-12-15 https://www.collectivefuturesfund.org/news/barr monthly 0.5 2025-12-17 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/52ac1d4b-ea5e-4bf2-ac57-bea339ab13c8/Barr+PR+hero+image.png News - Collective Futures Fund Receives $25,000 Grant from the Barr Foundation - Make it stand out Image left: Che Yeh, Interstitial Lives , 2023; Image right: Helen Popinchalk and Jay LaCouture, Test Print Tuesdays , 2024. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424176844-EIVA6FX9PE3R3ZLDSJQY/Warhol.png News - Collective Futures Fund Receives $25,000 Grant from the Barr Foundation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/73961af6-7737-4374-b13a-da6f28f42c39/TUAG_Hero_1000w.jpg News - Collective Futures Fund Receives $25,000 Grant from the Barr Foundation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/news/25grantees monthly 0.5 2025-12-15 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/0689f8ab-1ba1-4533-a94b-31a7b72f3609/CFF25hero.7.png News - Announcing Collective Futures Fund 2025 Grant Recipients - Make it stand out Image left: DaNice D Marshall, Moments Loss, 2021 .Photo: Technygal; Image right: Cathy Della Lucia, Grocery Landscape-6 HMart Reliefs, 2025. Photo: Mel Taing https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424176844-EIVA6FX9PE3R3ZLDSJQY/Warhol.png News - Announcing Collective Futures Fund 2025 Grant Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/73961af6-7737-4374-b13a-da6f28f42c39/TUAG_Hero_1000w.jpg News - Announcing Collective Futures Fund 2025 Grant Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/news/24grantees monthly 0.5 2025-09-10 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/848cddbe-b937-4714-8dd5-5829eb833dd0/CFF24hero2.png News - Announcing Collective Futures Fund 2024 Grant Recipients - Make it stand out Image left: IMAGINE (Aka Sneha Shrestha), Calling the Earth to Witness, 2020. Image courtesy of the artist; Image right: Crystal Bi, photo by: Nohemi Rodriguez, Dream Portal Phone Booth, 2023. Image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424176844-EIVA6FX9PE3R3ZLDSJQY/Warhol.png News - Announcing Collective Futures Fund 2024 Grant Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/73961af6-7737-4374-b13a-da6f28f42c39/TUAG_Hero_1000w.jpg News - Announcing Collective Futures Fund 2024 Grant Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/news/23grantees monthly 0.5 2024-09-11 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/eeac979f-1c11-4d6f-9f92-b023dd81e3aa/CFF23+Hero+2.png News - Announcing Collective Futures Fund 2023 Grant Recipients - Make it stand out Image left: Xaviera and Miriam Taleb-Louise, ASYRA RISING, 2020.; Image right: Wen Yu, The Dinner, 2019 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424176844-EIVA6FX9PE3R3ZLDSJQY/Warhol.png News - Announcing Collective Futures Fund 2023 Grant Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/news/22grantees monthly 0.5 2023-09-26 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/25055da1-9e87-4860-bba5-697df9f4969d/CFF+22+press+release+banner.png News - Announcing Collective Futures Fund 2022 Grant Recipients - Make it stand out Left: O womb warrior, by Golden, in collaboration with Simone & Chanelle John for the Isabella Stewart Gardner Museum / Right: Two SWANA Women, by Feda Eid with illustration by Yosra Emanizadeh. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424176844-EIVA6FX9PE3R3ZLDSJQY/Warhol.png News - Announcing Collective Futures Fund 2022 Grant Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/news/587fc2ysfo9fftghnrwcleyrllckuz monthly 0.5 2022-09-20 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630082534858-8W2PFYIVMCFFKAJ5FSC7/PressRelease2021part2.jpg News - Announcing Collective Futures Fund Inaugural 20 Recipients - Make it stand out Left: Haus of Threes photo by Carlos Benavides / Right: Community in Action: A Mural for the Vietnamese People by Ngoc-Tran Vu. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424176844-EIVA6FX9PE3R3ZLDSJQY/Warhol.png News - Announcing Collective Futures Fund Inaugural 20 Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1630424327439-Y7B3RSKPK2WO2ROZK1JK/BAR_full_black.png News - Announcing Collective Futures Fund Inaugural 20 Recipients - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/news/may-7th-2021-virtual-zoom-info-session monthly 0.5 2021-08-27 https://www.collectivefuturesfund.org/news/in-discussion-imagining-collective-futures monthly 0.5 2021-03-23 https://www.collectivefuturesfund.org/events daily 0.75 2026-04-01 https://www.collectivefuturesfund.org/events/info-session-triennial monthly 0.5 2026-04-01 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/dd110b7f-d508-40d6-a657-77f5e4083f05/Square+Thumbnail+%282%29.png Events - 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.collectivefuturesfund.org/application daily 0.75 2026-03-30 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1617131056282-15IR2GDIZ546AKDW546P/Screen%2BShot%2B2021-03-30%2Bat%2B2.50.48%2BPM.jpg Application https://www.collectivefuturesfund.org/2023-jurors daily 0.75 2024-03-25 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/65d21510-d6f5-49e2-babf-d919272c772e/Thea+Quiray+Tagle.png 2023 Jurors - Thea Quiray Tagle, PhD A Filipinx femme curator, writer, and transdisciplinary scholar whose research broadly investigates photography, socially engaged art and site-specific performance; visual cultures of violence and waste; and relationality across the Pacific. Across her various research and creative projects, a question that drives Thea’s work is: how can socially engaged art and performance move us, collectively and individually, to work towards more just and livable futures that are anti-capitalist, feminist, and queer? How can art and performance model practices of right relation with other humans and non-human life, that might impact how we choose to live in the day-to-day? Her writing has been published in outlets including American Quarterly, Verge: Studies in Global Asias, Hyperallergic, and BOMB Magazine. Her most recent curatorial project is as co-curator of New York Now: Home, the inaugural contemporary photography triennial at the Museum of the City of New York, which runs from March 10-August 27, 2023. Dr. Quiray Tagle is the Associate Curator of the Bell Gallery and Brown Arts Institute (BAI) at Brown University. theaquiraytagle.com https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/4b2ca9d3-c894-410b-bb59-07f9be1730eb/sarah+1.png 2023 Jurors - Sarah Montross Sarah Montross is Chief Curator, deCordova Sculpture Park and Museum/The Trustees, where she has organized numerous exhibitions and outdoor commissions. Recent projects include Jeffrey Gibson: INFINITE INDIGENOUS QUEER LOVE, Visionary New England, and outdoor installations with Wardell Milan, Letha Wilson, Leeza Meksin, among others. Research projects have focused on the intersections of art and the scientific imagination including topics of science fiction and space travel; spiritualism and animism of New England, and television and psychedelia. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/7aebbd35-56f6-4593-954e-26e06f06992c/Tran+vu+3.png 2023 Jurors - Ngoc-Tran Vu Ngoc-Tran Vu (she/her) is a 1.5-generation Vietnamese-American multimedia artist and organizer whose socially engaged practice draws from her experience and expertise as a cultural strategist, educator, and lightworker. Tran threads her social practice through photography, painting, sculpture and audio so that her art can resonate and engage audiences with intentionality. Her work evokes discourse of familial ties, memories, and rituals amongst themes of social justice and intersectionality. Tran works across borders and is grounded in Boston's Dorchester community. www.tranvuarts.com | @TranVuArts https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/c4777857-de3b-4aa8-9eb0-0ff6fb4dd92c/laurie+2.png 2023 Jurors - Laurie Rojas Laurie Rojas is an independent art critic, journalist and lecturer who recently relocated to Miami from Berlin. Her writing is featured in major international publications such as Artbasel.com, The Art Newspaper, Artnet.com, Art.sy, BMW Art Guide, Sotheby’s Magazine, Financial Times, and many more. She is the former senior editor of Spike art magazine and the former Berlin correspondent for The Art Newspaper. In 2016, she founded the new criticism publication, Caesura, a non-academic publication dedicated to art, music, poetry, and criticism. Her essay, “Gothic: the Return of the Repressed” will appear in a forthcoming book by Manchester University Press, Cases of Citations: On Literature in Art. She is currently consulting on programs and grants for Locust Projects. https://www.collectivefuturesfund.org/2021-grantees daily 0.75 2025-03-12 https://www.collectivefuturesfund.org/budget-form daily 0.75 2026-03-30 https://www.collectivefuturesfund.org/2022-jurors daily 0.75 2022-06-17 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/50e15184-1d61-46ea-9342-c67996846757/ACM_collectivefutures_social.jpg 2022 Jurors Alison Croney Moses Artist, craftsperson, educator, art administrator, mother, and Black woman. Alison cultivates spaces of learning, making, and sharing of art, craft and design that are welcoming and nurturing of the diverse identities that these spaces are built from. Alison’s professional work weaves together her values and passions focusing on empowering both youth and adults to use their knowledge, skills, and experiences to make positive changes in the world around them. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/24d1c08a-87eb-4a66-993e-6f8f7152f4b5/LN_collectivefutures_social.jpg 2022 Jurors Laurel Nakadate A photographer, filmmaker, video and performance artist. For twenty-five years she has investigated her relationship to strangers through stories built on camera. Located through chance encounters, DNA tests, open casting calls, family histories, and unsolicited email communication, these strangers were invited by Nakadate to participate in performances that bridge the worlds of fact and fiction, documentary and constructed narrative. Nakadate’s first feature film, “Stay the Same Never Change,” premiered at the Sundance Film festival and went on to be featured in New Directors/New Films at Lincoln Center. Her second feature film, “The Wolf Knife” was nominated for a Gotham Award and an Independent Spirit Award. Her ten-year-survey of photography, video, and performance work, “Only the Lonely,” premiered at MoMA PS1. Nakadate has completed two monographs, 365 Days: A Catalogue of Tears published by Hate Cantz, and Strangers and Relations published by the Des Moines Art Center. Nakadate’s most recent projects include the photo series, “The Kingdom,” and the critically acclaimed group show, “Mother,” co-curated with Leslie Tonkonow Artworks + Projects in New York City, which travelled to New Mexico State University Art Gallery in 2020 and will open at George Mason University in April of 2022. Nakadate’s work is in many collections including the Museum of Modern Art, the Whitney Museum of American Art, the Yale University Art Gallery, the Hessel Museum of Art, Bard College, Princeton University Art Museum, Smith College Museum of Art, LACMA, and the Guggenheim Museum. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/bf529d85-c208-475e-bbbf-5fe350291cc3/Ruth+Erickson.jpg 2022 Jurors Ruth Erickson The Mannion Family Curator at the Institute of Contemporary Art/Boston, where she has curated solo exhibitions with artists Kevin Beasley, Mark Dion, Wangechi Mutu, Tschabalala Self, and Vivian Suter, as well as traveling group exhibitions on Black Mountain College and another on contemporary art and migration. Her forthcoming projects include a group exhibition titled “A Place for Me: Figurative Painting Now” that registers the current wave of portraiture among artists of her generation as well as “To Begin Again: Artists and Childhood” an international and intergenerational survey of artists who have derived inspiration from childhood. At the ICA/Boston, she oversees the permanent collection and had led a comprehensive review of acquisitions through the lens of diversity and equity. She has edited and contributed to multiple exhibition catalogues, including Leap Before You Look: Black Mountain College 1933-1957, and presented and published her work widely, in venues from Jeu de Paume, Paris, the Wexner Center for the Arts, Columbus, OH, and the Hammer Museum, Los Angeles, to Art in America and Framework. She received a BA in Art History from Carleton College and an MA and PhD in Art History from the University of Pennsylvania, and regularly serves as a visiting critic, most recently at Maine College of Art and Massachusetts College of Art and Design. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/9272da35-3058-49e5-9890-590098e51ca3/CR_collectivefutures_social.jpg 2022 Jurors Cierra Rembert A visual artist, arts administrator, critic, and curator based in Cleveland, OH. Cierra Rembert is the Artist Initiatives Coordinator at SPACES, the resource and public forum for artists who explore and experiment. Her practice as an artist and contributor to the arts is embodied through her mission to create opportunities for artists. In her role at SPACES, Cierra manages three re-granting programs in partnership with The Andy Warhol Foundation, Cleveland Foundation and Cuyahoga Arts & Culture; in addition to overseeing interns and volunteers while contributing to social media and marketing. She has been involved in charitable contributions such as America SCORES Arts Inspired Auction; juried for Deep Roots Experience: She Art Vol.3 Transcendence (Cleveland, OH) and The Luminary Futures Fund (St. Louis, MO). https://www.collectivefuturesfund.org/2022-grantees daily 0.75 2022-11-29 https://www.collectivefuturesfund.org/2021-jurors daily 0.75 2024-01-09 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1622559268237-NG5T3JA2EE8L41MJOCJM/Gloria+S.jpg 2021 Jurors - Gloria Sutton Associate Professor of Contemporary Art History and serves on the executive committee of the Women’s Gender and Sexuality Studies program at Northeastern University. A scholar of time-based media, Gloria was the inaugural editor of the College Art Association’s Art Journal Open and publishes and lectures widely on the intersection of art and image technologies. Supported by an award from the Terra Foundation, her book, The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema (MIT Press) will be translated into French in 2021. A research affiliate in the Art Culture Technology Program at MIT, Gloria is also a member of the Advisory Committee of the MIT List Visual Arts Center and serves on the Board of Directors of Voices in Contemporary Art (VoCA). She is working on a monograph on the video sculptures of Shigeko Kubota and a critical analysis of the rise of network culture in visual art entitled Pattern Recognition: Contemporary Art in the Age of Digitality. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1622559646386-SJQZYCCZ6FUUH2PSGSPO/Neda+-+Image.jpg 2021 Jurors - Neda Moridpour An artist, educator, organizer, and co-founder of two artist-activist collaboratives, LOUDER THAN WORDS and [P]Art Collective. Her practice crosses disciplines and boundaries to investigate cycles of violence that leads to dislocation, gender, and racial inequity while establishing dialogue and mobilizing communities. Through collaboration, her practice transforms the seemingly quotidian and mundane via visual and performative interventions, lens-based practices and bold public roundtables and discussions. Her work has been exhibited in the U.S., Iran, and China and is in the collection of the L.A. County Museum of Art, The Center for the Study of Political Graphics, Denver Art Museum, Dallas Museum of Art, Detroit Institute of Arts Museum, and was recently exhibited in the Islamic Art Now II: Contemporary Art of the Middle East at the L.A. County Museum of Art (LACMA). https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1622560106291-FAS1QUZTXUS6XZNQU4WB/James+McAnally.jpg 2021 Jurors - James McAnally A independent curator and strategic critic based in St. Louis, MO. James McAnally is a co-founder and Executive Director of The Luminary, an expansive platform for art, thought, and action. McAnally also serves as the editor and co-founder of MARCH: a journal of art & strategy, was the editor and co-founder of Temporary Art Review, an international platform for contemporary art criticism that focused on artist-run and alternative spaces. He is the Artistic Director of Counterpublic 2023 and is a founding member of Common Field, a national network of independent art spaces and organizers. https://www.collectivefuturesfund.org/2023-grantees daily 0.75 2024-05-31 https://www.collectivefuturesfund.org/2024-jurors daily 0.75 2025-03-12 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/028e66be-f9b1-4524-a2fc-71659e2dfe13/halliday2.png 2024 Jurors Kelsey Halliday Johnson Kelsey Halliday Johnson (she/they) is a writer, artist, organizational strategist, and eco-feminist living in Cape Elizabeth, Maine. She works as the Executive Director of the multi-disciplinary visual and performing art organization SPACE in Portland. Kelsey has worked as a presenter and curator with a consistent dedication for championing under-recognized artists and intersectional values. Prior to SPACE, Kelsey worked in curatorial and advancement capacities for the James A. Michener Art Museum, Vox Populi Gallery, Locks Gallery, independent curator Marianne Bernstein, and her own independent multi-site curatorial projects; as well as gaining significant administrative experience at Blind Spot Magazine, the Penn Museum, and WPRB 103.3FM. Her curatorial work has been featured in Artforum, Art in America, and was a finalist for the International Association of Art Critics (AICA) Awards. Kelsey proudly started her career working art supply and photography retail for eight years. She is a graduate of Princeton University, the University of Pennsylvania, and Wesleyan University, and has taught at a range of colleges and universities as well as Interlochen Arts Academy. Her writing has been published by the University of Pennsylvania Press, Locks Art Publications, Title Magazine, Performa, Studio Magazine from the Studio Museum in Harlem, Common Field, and Mural Arts Philadelphia, among others. Kelsey enjoys tinkering with vintage cameras, ecological and architectural restoration projects, gardening, volunteering, and storytelling media of all kinds. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/ba427f42-9c20-469a-88a3-84624549751b/kanouse3.png 2024 Jurors Sarah Kanouse Sarah Kanouse (she/her) is an interdisciplinary artist and critical writer examining the political ecology of landscape and space. Migrating between video, photography, and performative forms, her expanded nonfiction media projects shift the visual dimension of landscape to allow hidden stories of environmental and social transformation to emerge. Her solo and collaborative creative work—most notably with Compass and the National Toxic Land/Labor Conservation Service—has been presented through the Haus der Kulturen der Welt, Documenta 13, the Museum of Contemporary Art-Chicago, Krannert Art Museum, Cooper Union, Smart Museum, and numerous academic and artist-run venues. Her writings on landscape, ecology and contemporary art have appeared in Acme, Leonardo, Parallax, and Art Journal and numerous edited volumes. A 2019-2020 fellow at the Rachel Carson Center at Ludwig Maximilians Universität, she is Associate Professor of Media Arts in the Department of Art + Design at Northeastern University. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/a007e609-3343-4c8b-9e49-b07e30dbe036/smith2.png 2024 Jurors TK Smith TK Smith (he/him/his) is a curator, writer, and cultural historian. Currently, he is a doctoral student in the History of American Civilization program at the University of Delaware, where he researches art, material culture, and the built environment. He received his Master of Arts in American Studies and his Bachelor of Arts in English and African American Studies, with a certificate in Creative Writing from Saint Louis University. He has written for Art in America, the Brooklyn Rail, and ART PAPERS, where he is a contributing editor. In 2021, he was invited to be the inaugural writer-in-residence at the Vashon Artist Residency. In 2022, he was a recipient of an Andy Warhol Writers Grant for short form writing. Smith was Monument Lab’s 2022-2023 writer-in-residence. Most recently, Smith completed a curatorial residency on behalf of the Barnes Foundation at Yinka Shonibare’s G.A.S. Residency in Lagos, Nigeria. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/d189d837-4238-4583-a978-8c07be2e63c4/umali3.png 2024 Jurors Erika Umali Erika Umali (she/her/hers) is the Institute of Contemporary Art/Boston’s first Curator of Collections where she leads strategy around collection development and practices, as well as bringing visibility to the ICA’s collection through focused exhibitions and programming. Previously she served as the inaugural Assistant Curator of Collections at the Brooklyn Museum where she supported collecting strategies and shepherded thousands of acquisitions. There, she co-curated Jeffrey Gibson: When Fire Is Applied to a Stone It Cracks. Her work focuses on cross-cultural exchange, accessibility within cultural institutions, engaging local and source communities, and decolonizing practices. 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Previously, she was Associate Curator for the Brooklyn Museum’s Center for Feminist Art, where she curated María Magdalena Campos-Pons: Behold (2023–25), Baseera Khan: I Am an Archive (2021); Kameelah Janan Rasheed: Are We Reading Closely? (2020); Roots of “The Dinner Party”: History in the Making (2017); and formed part of the curatorial collective for Nobody Promised You Tomorrow: Art 50 Years After Stonewall (2019). She organized the Brooklyn presentations of Liza Lou: Trailer (2024); Radical Women: Latin American Art, 1960–1985 (2018) and Andy Warhol: Revelation (2021), and co-curated Half the Picture: A Feminist Look at the Collection (2018), among other exhibitions. Carmen has also worked as the Assistant Curator for Collections at the Guggenheim Museum, and with the collections of the Whitney Museum of American Art and the Museum of Modern Art. Her independent projects include CURRENTS: An Overwhelming Response (A.I.R. Gallery, 2020), and New Voices: On Transformation (Print Center New York, 2023). Carmen received her B.A. in art history and English from the University of Richmond and her M.A. in art history from Hunter College. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/2c19f9ae-bcfb-42aa-82b0-c098704f597c/kamaria1.png 2025 Jurors Kamaria Weemz Kamaria Weemz is a Black, queer and nonbinary community cultivator, skilled facilitator, somatic practitioner and artist, living and working across Greater Boston communities for over 15 years. Their life’s work wades into the depths of Blackness, reveling in liberatory practices that heal across generations–backwards, contemporarily, and into the future. Through Cultivate (a queer healing lab) and UnBoundBodies (a multimedia experimental community-based art collective) Kamaria works collaboratively to amplify QTBIPOC wellbeing and extend collective ecosystems of imagination. Prior to their current role of Dir. of Cultural Programs + Galleries at Boston Ujima Project, Kamaria was a Program Officer at the New England Foundation for the Arts supporting artists and the field at the intersection of Public Art and spatial justice. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/1cc4303c-28b4-4d63-b01b-86c31d0795aa/nando1.png 2025 Jurors Nando Alvarez-Perez Nando Alvarez-Perez (b. 1988) investigates the individual's relationship to the vast territory of history. He received a BA in Film studies from CUNY Hunter in 2011 and a MFA from SFAI in 2014, where he was awarded the Master of Fine Arts Fellowship in Photography. Alvarez-Perez has exhibited at NADA New York 2024, Lydian Stater Gallery, NY, NY, Rivalry Projects, Buffalo, NY, Interface Gallery, Oakland, CA, Silver Eye Center for Photography, Pittsburgh, PA, Untitled Art Fair, San Francisco, CA, and Material Art Fair, CDMX, among many others. Alvarez-Perez was a resident of Light Work, Syracuse, NY in 2022. His practice extends to his work as a founding director of The Buffalo Institute for Contemporary Art, an art and education nonprofit that models how culture can sustain communities through focused, practical engagements with contemporary art, and as editor-in-chief of Cornelia Magazine, a visual art review published three times a year for the Western New York and Southern Ontario region. He is a visiting professor at Alfred University, living and working in Buffalo, NY. In 2024, he was an awardee of the JGS Fellowship for Photography and the recipient of a Support for Artists Grant from the New York State Council on the Arts. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/9c369647-31c9-4ec7-bdfe-7ce2c41c4670/Nelly+kate1.png 2025 Jurors Nelly Kate Nelly Kate (she/her) is a studio artist with an expanded practice in sound. She treats access as a site for poetic translation through the lens of Queer and late-Deaf experience. Her practice is about reaching across the senses to translate phenomena which our bodies sense but cannot readily name. It often takes the form of installation, print, video, sound, performance, and text. Nelly insists upon things like: films that are slow, spaces that are soft, the awkwardness of inclusion, saying more, and repeating ourselves. She is currently a visiting professor at Northeastern University facilitating seminars in Media Art, Culture, and Social Justice and a research associate with MIT Spatial Sound Lab studying methods for spatializing open captions and haptics. Nelly Kate hails from the American South and works on the unceded lands of the Pawtucket, Massachusett, and Naumkeag nations. https://www.collectivefuturesfund.org/2025-grantees daily 0.75 2025-12-01 https://www.collectivefuturesfund.org/member-site-homepage-1 daily 0.75 2025-11-12 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Member Site Homepage 1 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Member Site Homepage 1 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Member Site Homepage 1 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/b0e76259-0a2d-4652-af34-d25143b6cd3c/02_CIRCLE_SHOT_3_0307_04_QC.jpeg https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/7981a6b2-6661-493c-b9dc-654a4b537c39/04_CIRCLE_SHOT_4_0422_03_QC.jpeg https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/27dca807-da34-43e7-a1ab-58f117dc7aca/01_CIRCLE_SHOT_6_0199_06a_QC.jpg https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1dd36f65-c5db-447f-aa01-66161cdcde0c/Aro+Ha_0010.jpg https://www.collectivefuturesfund.org/advisory-council-1 daily 0.75 2025-12-03 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/433f13a2-1f20-4dae-a88d-6c537976a234/Mary+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/5ff8f368-98e4-4828-bee6-1e59da69abfc/Jasper+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/6a0d7246-f35c-4e29-bac5-5c292b238113/Azia+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/9c52f7fc-f9bf-4223-ba20-2bffe7cc84e3/Rachel+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/5ff8f368-98e4-4828-bee6-1e59da69abfc/Jasper+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1615225322403-8M32U1NK41JYCCJQCWP7/Rectangle+25.jpg Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1615225350677-B3YBA0I530Q8W9125BX3/Rectangle+27.jpg Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1615225259531-0HK0SKZ3FR5VOEIG39FB/Rectangle+26.jpg Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1615225322403-8M32U1NK41JYCCJQCWP7/Rectangle+25.jpg Advisory Council (Copy) https://www.collectivefuturesfund.org/advisory-council-2 daily 0.75 2025-12-03 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/433f13a2-1f20-4dae-a88d-6c537976a234/Mary+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/5ff8f368-98e4-4828-bee6-1e59da69abfc/Jasper+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/6a0d7246-f35c-4e29-bac5-5c292b238113/Azia+BW.png Advisory Council (Copy) https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/9c52f7fc-f9bf-4223-ba20-2bffe7cc84e3/Rachel+BW.png Advisory Council (Copy) https://www.collectivefuturesfund.org/2026-jurors daily 0.75 2026-03-25 https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/f29d807a-5f6d-4265-bc63-5ae4906857de/Campos+1.png 2026 Jurors Amor Díaz-Campos Amor Díaz-Campos (she | her) is a curator from Cuba who is passionate about the transformative and healing power of the arts. She is fascinated by the unique and yet universal way in which art can tell a story, convey deep emotions, and help us understand and see ourselves, creating spaces for meaningful dialogue and connection. In 2019, Amor co-founded the Biennial Ríos Intermitentes in Matanzas, Cuba, with Nashville-based Cuban artist María Magdalena Campos-Pons. This biennial explores themes of memory, heritage, identity, and race, while addressing the specific needs of the Matanzas community. It was recognized as one of the top 15 exhibitions of 2019 by Hyperallergic Magazine and is now in its third edition. Amor believes that artists hold the key to finding creative solutions to the most pressing issues of our time. She earned her Master’s Degree in Arts Administration from Boston University and a Bachelor’s Degree in Social Communication from Havana University. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/a31d2b13-0e75-4bed-b77b-1613c914f9cd/Caron+1.png 2026 Jurors Marina Caron Marina Caron is a curator based in Boston. She is currently Assistant Curator at the MIT List Visual Arts Center in Cambridge, MA. She was Assistant Curator for Once Within a Time, the 12th SITE SANTA FE International, which was curated by Cecilia Alemani. Marina has organized exhibitions and programs at the Hessel Museum of Art, the Milton Avery School of the Arts at Bard College, and LC Queisser, Tbilisi. She has assisted on solo exhibitions of artists Carrie Mae Weems (Hessel Museum, Annandale-on-Hudson, 2024; Luma Arles, 2023), Yto Barrada (Museum of Modern Art, New York, 2021-2022; MATHAF, Doha, 2020; Lower Manhattan Cultural Council, New York, 2019), and Jamian Juliano-Villani (Museum of Contemporary Art Detroit, 2015), among others. Marina holds a BFA from the Cooper Union School of Art, and an MA in Curatorial Studies from the Center for Curatorial Studies, Bard College. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/2db56a6d-14e5-4103-99ae-450f70f5849e/Chung+1.png 2026 Jurors Nando Alvarez-Perez Joyce Chung is the Curator at Asian Arts Initiative in Philadelphia, where she leads the organization’s exhibition and performance programs. Her interdisciplinary approach examines identity, memory, and marginalization, with particular attention to how capitalism and power structures shape lived experiences. She is especially drawn to performance and time-based media for their ability to position the body as a site of resistance, reconciliation, and embodied memory. Chung focuses on underrepresented communities, particularly ethnic and gender minorities, and champions work that challenges normative frameworks. Her practice aims to create platforms where art fosters social inquiry and collective engagement. She has held curatorial roles at institutions in Korea and the U.S., including the National Museum of Modern and Contemporary Art, Korea, Gwangju Biennale, Hyundai Card, Kukje Gallery, and Performa in New York. Chung holds an MA in the Humanities from the University of Chicago and a BA in Art History from Wesleyan University. https://images.squarespace-cdn.com/content/v1/5f8dbae93d8c206d775c824b/fd02406e-fd97-4084-acdc-f507744fb5a7/Silberg+1.png 2026 Jurors Tanya Nixon-Silberg Tanya Nixon-Silberg (she/her) is a Black mother, multi-modal artist, native Bostonian, educator, and founder of Little Uprisings—an organization focused on centering artivism, racial justice, and liberation with kids and their adults. Her primary artistic identities lie in puppetry, storytelling, and craft, and her work moves through the lens of liberation for Black folks. Tanya is currently in a multi-year partnership with Boston and Brookline Public Schools, leading anti-bias/anti-racism professional learning and curriculum development. In June 2023, Tanya completed her first public art installation called “They Did Not Know We Were Seeds” through the Now +There Accelerator program. Tanya is co-leader of Play for Change and the Un-ADULTerated Black Joy Collective, and her work has been funded by The Jim Henson Foundation, National Endowment for the Arts, and the Boston Foundation. Her large-scale community-driven events have been held at many Greater Boston institutions, including the ICA, Massachusetts College of Art and Design, Boston Public Library, Peabody Essex, and Isabella Stewart Gardner Museum. Tanya’s work centers the bodily remembrances of joy. As such, you will mostly find her playing with and learning from her 11-year-old kid, being in community with other artists, and radically imagining how we all get free together.